“Recon” (cont.) excerpt from “Pushing the River”

Creatures that’s been in pain much of they lives can go one way or the other, and that includes humans, and that includes pain of all kinds.  They either take on an everlasting meanness, living all the time like a coiled-up snake, just waiting for the next chance to strike out, aiming to hit hard.  Or they go the other direction entirely, taking on their own sense life’s troubles and hardness, and doing they best to be in the world in such a way as to ease the path for others.  That was Recon.

            None of them animal doctors could ever figure out why Recon got gimpy in her font leg in the first place, let alone why she got worse and worse.  My Lady trotted her all over creation trying to get an answer; but not so very different than with me, the doctors tsk-tsked and clucked their tongues and wagged their heads and knitted their brows and sent Recon back home.  Recon just went on about her business, all the time walking a bit slower, going a bit less far from My Lady’s side, never once complaining about the pain all them docs said she was most definitely suffering.

            Ever so often my Lady would go over to wherever Recon was resting her bones, and she’d put her own forehead right against the big dog’s, stroking both her ears and whispering that she was sorry.   They’d stay that way for a time, head to head, then my Lady would dab at her eyes and get on up.

            Recon still greeted every new day, and every person that ever walked through the front door of our house, like they was a dang miracle that she could not even believe her own good fortune to encounter.  When the Tumbleweed came for dinner and never left, and Marie left the Boy back in New York to move in and lay in wait for the imminent storm, and the giant-bellied, wide-eyed child parked herself on the couch with her gummy bears and her movie star TV shows, Recon treated the whole shebang like it was just more folks to share the pure joy of being on the planet.  Of course when the Little One came back, and finally the Boy, Recon was like a mama whose babies had all returned to the nest, wagging her whole body all the day long.

            Strange, though, that for some infernal reason when the little tiny infant was brought in and added to the mix, Recon started doing something she ain’t never did before.  When nobody was looking, she would go over to the couch, grab the corner of one of them fancy pillows in her mouth, gentle-like, then hump the dang pillow for all it was worth!

7 Replies to ““Recon” (cont.) excerpt from “Pushing the River””

  1. Micheline Bourbeau-Walker – Sherbrooke, QC Canada – I am a retired university teacher with a PhD in French Literature. My doctoral dissertation was a study of the pharmakos, the scapegoat, in six of Molière's plays, including Dom Juan (1664), Tartuffe (1664-1669) and Le Misanthrope (1666). The French language is often referred to as "la langue de Molière," Molière's language. Our dramatist was born in 1622 and died in 1673. Although I taught seventeenth-century French literature repeatedly during my career, between 1976 and 1979, my teaching load included a course on Applied Linguistics: second-language teaching. During my tenure at Saint Francis Xavier University in Nova Scotia, I also taught French-Canadian Literature and prepared material for my university's Language Lab. At StFX. I was also required to prepare a course on Animals in Literature during a sabbatical I intended to devote to publishing my book on French dramatist, Molière. Animals in Literature is a fascinating area of world literature, but it is an immense subject matter. Preparing this course was an unexpected and demanding assignment. Although my posts reflect my interests as a university teacher, they reveal my love of history, music, and the fine arts. They also show a genuine awareness of current events. My future posts will be new, but many will be related to former articles, such as posts on French dramatist Molière (1622-1673) and fabulist Jean de La Fontaine (1621-1695). Bourbeau is my mother's name, but it reflects my known ancestry. I have been borrowing it for decades.
    michelinewalker says:

    You have a good imagination. Thank you.

      1. Micheline Bourbeau-Walker – Sherbrooke, QC Canada – I am a retired university teacher with a PhD in French Literature. My doctoral dissertation was a study of the pharmakos, the scapegoat, in six of Molière's plays, including Dom Juan (1664), Tartuffe (1664-1669) and Le Misanthrope (1666). The French language is often referred to as "la langue de Molière," Molière's language. Our dramatist was born in 1622 and died in 1673. Although I taught seventeenth-century French literature repeatedly during my career, between 1976 and 1979, my teaching load included a course on Applied Linguistics: second-language teaching. During my tenure at Saint Francis Xavier University in Nova Scotia, I also taught French-Canadian Literature and prepared material for my university's Language Lab. At StFX. I was also required to prepare a course on Animals in Literature during a sabbatical I intended to devote to publishing my book on French dramatist, Molière. Animals in Literature is a fascinating area of world literature, but it is an immense subject matter. Preparing this course was an unexpected and demanding assignment. Although my posts reflect my interests as a university teacher, they reveal my love of history, music, and the fine arts. They also show a genuine awareness of current events. My future posts will be new, but many will be related to former articles, such as posts on French dramatist Molière (1622-1673) and fabulist Jean de La Fontaine (1621-1695). Bourbeau is my mother's name, but it reflects my known ancestry. I have been borrowing it for decades.
        michelinewalker says:

        You deserve praise and thanks.

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