Canyon (flash fiction)

Then there was the whole Grand Canyon thing.

On the way back from California, the long, dust-bitten journey slouching toward Pennsylvania, my parents decided we should stop at some natural wonders along the way. Death Valley.  Joshua Tree.  The Painted Desert. My mother maintained a hawk-like vigilance as she continually scanned the landmark scenery through the car window.  She wore sunglasses, very dark green ones. Wearing glasses always caused her to hold her mouth funny, as if that were completely essential to keeping the glasses in place.  Every so often her hand shot out and grazed my father’s arm. “Stop the car!”

The words came out with palpable enthusiasm; but it was, nonetheless, a command. The second the car came to a full stop – amid a great spray of gravel and dust – my mother leapt out the door. She stood by the car, with her hands planted on her hips and her feet wide apart, surveying the scene. Around her neck hung her still camera; wrapped tightly around her wrist was the thin, worn shoelace cord of her wind-up 8mm movie camera.

It seemed to take her a minute to remember that the other three of us were there. She swung the top half of her body around and looked at my brother and me still sitting in the back seat as if our folly could not be grasped. We shuffled along behind her dutifully, slowly, willful in our disinterest.

My father stayed by the car. He lit a cigarette, and smoked it as if it was a great chore, but one that must be done.

My mother knew a lot about a lot, which of course made me suspicious. How can you go to all these different places, and the same one person knows so much stuff about all the trees, and the flowers, and the cactuseses, and the birds, and on and on, every single place you go.  Plus, my father staying by the car and not even coming along to see these great sights added considerably to my suspicion.  If this stuff was so wondrous and important, why would he want to stay by the car and miss it!

Way before we got to the Grand Canyon, I was pretty sure my mother was just making stuff up. So by the time she was making exuberant wide gestures while talking about time, and a river, and layers of rock, and millions of years, millions and millions of years — I just felt sad and confused.  My neighbor Patsy had already told me about the whole world being made in just seven short days, well six really, cause God took

Photo by Samuel Silitonga on Pexels.com

one day off to rest. She had learned this at church, and this story was from God himself.  They said so at church, a Presbyterian one, but my other neighbor Carrie was an actual Catholic; and Carrie confirmed

Photo by Nicholas James Singh on Pexels.com

this was, without question, the truth.

I felt a little better when my brother and I were allowed to feed some peanuts to the chipmunks that were running around everywhere. I was scared they would bite me, but they didn’t, and their teeny little claws felt creepy and good all at the same time when they crawled into my hand to get the nut.  I had to keep very, very still.  I felt like there were my personal friends.

But back in the car, as we drove away from the Grand Canyon, there was a whirl going on inside of me.  Kind of like when you make those whirly paintings at carnivals, the ones where you squirt bright, beautiful colors from ketchup bottles, and then the whole thing spins around, and you think it’s going to be so so pretty; but it’s a mess. An ugly, dark mess.

Why would my own mother tell such whoppers?

 

 

 

Dangers of Reality (flash fiction)

3:48 am.  I am not certain if I was already awake.  It is possible that I was, as I sleep lightly and wake up many times each night.  Perhaps I was in the middle of a dream.  Perhaps the sound injected itself into the dream, becoming a part of it. This happens often as well; the real and the imagined blur and blend and intermingle themselves.

My nighttime wakings are often accompanied by the sound of my refrigerator, as my bedroom lies right off the kitchen, and it is most certainly one of the loudest refrigerators in the history of the appliance.  Of course I could close my bedroom door; but I prefer it open.  I look forward to hearing the sounds of my apartment, and noting the different levels of quiet, for the few seconds before I fall back asleep.  Besides, the phenomenon of my refrigerator never ceases to fascinate me.  I can hardly believe how invasive the sound seems when I read in my bed before sleep.  But when I awaken in the night, it is a lullaby hum that soothes me.

Anyway, at 3:48 am there is a bird singing.  One bird.  I check the luminous red numbers on the clock again and do a broad calculation. The sun will not rise until 5:16 am, so this bird is, indeed, very, very early.  I concentrate on his song, blasting loud and strong into the darkness.  I imagine, in my sleepy state, that he must be bursting with song; he must possess a need to hail the day with an immense bounty of hopefulness.

I listen.

His song does not sound joyful.  He sounds stretched, strained.  If he were a person, he would be just at the point of his voice breaking, or giving out entirely.  The veins would be standing out on his neck. This bird is trying way too hard.  This bird is a wreck.

It’s hard to know what’s real when noises blend into dreams, and the same exact sound can be either a clatter or a hum, and a one should be able to count on a bird’s song being joyful, and it turns out the bird is a fucking disaster.

Waiting, with eagerness and anxiousness in equal measure, for the final round of changes my editor suggests for upcoming novel PUSHING THE RIVER.

In the meantime, I completely surprised myself by writing the first poem I have written in, oh, I think about forty years.

 

Untitled

 

These are not the stories

Not the ones I want to tell you

Your skin, the perfect roughness of your taut hands

It is these things that make me need different stories to tell you

Ones that will match your hands

 

My stories, the ones that are really mine

Are for aching skin, crumbling skin

The tales that are me

fit with hands that have held

Neither newness, nor wonder

 

 

 

 

photo by Michelle Cardozo

Pushing the River: FLASH flash

It was not her first foray into the parallel universe of online dating. Madeline had been divorced for more than ten years. She had braved a string of relationships that progressed from interest, to the first tingle of excitement, to the exhilaration of genuine possibility, to the frightening, heady, joyful moment when the roller coaster passed the peak of its climb and in that split second, there was no going back: momentum had taken over; it was utterly and completely out of anyone’s control, because at that moment, there was love. There was real love.

And then there wasn’t.

Madeline took time to lick the wounds of disappointment. She allowed the lesions of dashed hopes to scab over. She understood that persevering was an ongoing matter of keeping one’s optimism just enough ahead of the injury of experience to keep going.

After a time, she would go back online, pouring over profiles, scrutinizing descriptions, gathering courage. As crazy a universe as online dating was – she recalled a friend aptly calling it The Wild West – it was essentially the only path to meet people. Since Madeline worked alone, had never buddied up to a man in a bar, and didn’t attend church, she reconciled herself to the necessary methodology.

Madeline worked hard to extinguish the flame she had carried for Jeff. But the feeling of being part of something larger than herself – everything from the ongoing sense that life was bigger and mattered more, to the immeasurable joy of small, everyday moments – was a living spirit inside of her.

I am up to my eyeballs in re-writing/editing my novel Pushing the River.  The above snippet is excerpted from an early chapter. The first paragraph remains from the original draft; the remainder was written yesterday.  It struck me that it could stand on its own as a Flash.  It also struck me as being remarkably similar to the Flash I wrote entitled “January 2,” which suggests that I still endeavor to get it right.  WATCH FOR THE RELEASE OF PUSHING THE RIVER THIS SUMMER!!!

photo by Garry Winogrand

Smoke: Flash Fiction

It was the way she held her cigarette that I would remember. Her hands were always so small, the fingers so thin. You could not see from one end of the kitchen to the other , the density of smoke from cigarette after cigarette had nowhere to go. It choked the room. It obscured the cabinets, the floor of the room she had waited so long to redo.

It was very nearly the hand of a child.

I don’t want you to come anymore, she said. I want this to be the last time.

Was there gray in her hair when we first met? I was trying to recall. But always the pale, slender hands , the plain gold wedding band, the narrow silver watch whose face she could no longer read without her glasses, which she detested and never wore.

But I want to come, I said.

She could no longer see the cabinets, nor even the beloved built-in breakfast nook where the two of us sat. It was not the smoke. She had not seen much of anything around her for a number of years. Not since Jeff jumped.

I mean it, she said. Please don’t.

 

As I work on the final draft of my novel, I have been playing with several new ideas, and it’s possible that one has taken hold! I have long been intrigued by writing a full-length work that takes place within a time frame that is less than 24 hours (think Mrs. Dalloway, Ulysses, A Day in the Life of Ivan Denisovich, etc.). I have recently become intrigued by the possibility of telling the entire story in separate pieces of flash fiction — each of which would be entirely free standing, but all of which together would tell the tale. The piece above is the latest flash.

Heads Up

The first time I saw How the Grinch Stole Christmas was 1969, the same year that Tim was my first boyfriend. We watched it together, Tim and I, along with my brother’s other best friend Doug. My brother wasn’t there somehow, even though we were at my house.

We watched Grinch in a lightless room, something my family never did. It was believed that watching a bright screen with no other light in the room was reckless and hazardous, and could have tragic consequences, which remained vague and therefore almost mystical. Doug sat at one far end of sofa, Tim at the other. I curled up with my feet resting against Doug and my head in Tim’s lap. Every so often, he reached down and touched my hair.

The magnificently long-suffering, but loyal and philosophical dog Max. The clenched-hearted Grinch. The village of Who’s whose joy at their mutual sense of belonging transcends all evils. Snuggled between two Nice Boys, I felt safe and warm and protected and loved in a way that was precious and rare.

When the boys left and my parents said that They Had To Talk With Me, I was certain that I was gonna get clobbered for watching the television set in the dangerously dark room. A terrible wave of guilt shot through me, a pang at having been so lulled, so incautious.

“Never, ever put your head in a boy’s lap.”

This was so entirely unexpected, it took me a minute to even decipher the words. The meaning. And when I did, I was even more bewildered. “What?” I said.

“Your head was in Tim’s lap. That’s not something you can do. Ever.” One of them said while the other stood there in a rare display of rock-solid alliance.

“What?” I said again, looking from one to the other.

“It’s not fair. To the boy,” my mother said. “It’s too stimulating.”

My father bit his lip.

As I work on getting my third completed novel Out There, I have been playing around with several new ideas, and it’s possible that one has taken hold! I have long been intrigued by writing a full-length work that takes place within a time frame that is less than 24 hours (think Mrs. Dalloway, Ulysses, A Day in the Life of Ivan Denisovich, etc.). I have recently become intrigued by the possibility of telling the entire story in separate pieces of flash fiction — each of which would be entirely free standing, but all of which together would tell the tale. The piece above is the latest flash.

We [wee microfiction]

When we got off the highway, the kids asked me if they could open the windows. When they were in their 20’s, and I was in my 50’s, I wondered if there would come a time when I would no longer think of them as The Kids. Now that they are both over thirty and have children of their own, I realize that they will always by my kids. Like they say in the song at the end of The Grinch Who Stole Christmas (the animated one, narrated by the unparalled Boris Karloff; not that live action trash): “just as long as we have we.” That’s how long.

 

painting by Andrew Wyeth

A Whirl of Snow, A Glint in the Moonlight

“How could this evening have taken such an ugly turn,” Madeline thought to herself. She loved Christmas, and even though she was not terribly religious and thought it kind of cheesy, caroling with her old church youth group struck her as a giant hoot.

It was much colder than usual for mid-December, and a snowstorm that had been predicted for later that night began hours before expected. Houses were decorated, lights twinkled everywhere, it was blustery and freezing and snowing furiously hard — to her mind, a picture-perfect backdrop. The cold and the fact that she didn’t sing very often made her light-headed and giddy.

Other than the fact that the hot chocolate was essentially lukewarm brown water, and that, as usual, a couple of the kids had poured a flask full of vodka into their cocoa and were using an inordinate amount of effort to not fall down, she was having a wildly good time. Singing. Christmas! A boyfriend!! They had been going together for nearly three months.

“Don’t fuck with me.” There was an edge in his voice she had not heard before.

“Of course I was talking to him. I’ve known him since I was, like, six years old.” The party. Deja vu. All over again.

“What were you saying to him?” Tim asked.

“What was I saying?”

“Yeah.”

“What was I saying? I don’t remember! I’ve been talking to everyone!” Madeline’s voice was taut with frustration.

And despite what she knew to be true, she was overtaken with the sense that she had done something very, very wrong. She must have. This was her boyfriend – her crazy-curly-haired, insanely-blue-eyed boyfriend –and he was clearly angry.

“Tim, I’m sorry. I can’t even remember what we were talking about. It wasn’t important.”

“Well, you sure looked fucking happy.”

“What?”

All of the other kids had trickled back into the church, leaving the two of them alone in the driving snow.

“Shit, I don’t have boots on,” she said. “Can we go in?”

“You don’t give a shit about me.”

He reached one hand into an inside coat pocket, and pulled something out she strained to see. The moon — or maybe it was one of the streetlights that flooded the church parking lot and lit up the whirling snowflakes — glinted off the object in Tim’s right hand. It was a razor blade, a very old, very rusty razor blade.

Before she could react, before she had time to consider being afraid, Tim had spun on his heels and was loping through the shin-deep snow, the long fringe of his buckskin jacket flying everywhere.  A final flash of metal and moon. His arm fully outstretched. The silhouette of his back quickly vanishing against the mad snowflakes and the black winter sky. She ran after him, ten or twelve steps perhaps, before her feet were thoroughly soaked and freezing, and there was no sign of him at all.

She gripped the edges of the stainless steel sink in her kitchen, not sure whether she would vomit. But when her mother asked her how the evening had been, she said, “Fine. Fun.”

That was as much of an answer as her parents would expect from their fourteen-year-old daughter, and they beamed widely at her as she brushed past them, not noticing that she clutched her stomach with white-knuckled fingers as she climbed the stairs to her bed.

As I work on getting my third completed novel Out There, I have been playing around with several new ideas, and it’s possible that one has taken hold! I have long been intrigued by writing a full-length work that takes place within a time frame that is less than 24 hours (think Mrs. Dalloway, Ulysses, A Day in the Life of Ivan Denisovich, etc.). I have recently become intrigued by the possibility of telling the entire story in separate pieces of flash fiction — each of which would be entirely free standing, but all of which together would tell the tale. The piece above is the latest flash.

hope you get a kick out of the photos…

Flash Fiction 2

Suicide was just a word, a vague concept. Something whispered, read about in books. Nothing that had ever come near my own world, but rather a specter keeping itself hidden and far away. I had not even read The Bell Jar, hadn’t thought of Sylvia Plath turning on the stove in the apartment where she lived every day. Had not been stuck with the picture of her putting her head into the oven with the gas jet running, her two young children sleeping in their beds on the other side of the wall.

Daddy Daddy, I said. Daddy, I don’t know what Tim is going to do. I’m scared. I think he’s going to do something to himself. Help me, Daddy. I need your help, Daddy. I said.

As I work on getting my third completed novel Out There, I have been playing around with several new ideas, and it’s possible that one has taken hold!  I have long been intrigued by writing a full-length work that takes place within a time frame that is less than 24 hours (think Mrs. Dalloway, Ulysses, A Day in the Life of Ivan Denisovich, etc.).  I have become intrigued by the possibility of telling the entire story in separate pieces of flash fiction — each of which would be entirely free standing, but all of which together would tell the tale.  Stay tuned!

photos of Sylvia Plath

First Flash Fiction

Sick. She felt sick, fucking sick, when the telephone rang. She wanted to snatch the old 20-pound, rotary dial behemoth of a phone right out of the wall and fling it through the window. She wanted glass to shatter and fly in a million directions and create rainbows of light in mid-air. She wanted the shards to rain down razors and cut the room into little ribbons. I’m too young for this, she thought. I’m fourteen years old and I am too young for this. For this shit, for this utter shit.

“Hello,” she said into the receiver.

“I’m pointing a knife at my stomach,” he said. “Tell me why you broke up with me.”

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